“It began at the family dinner table, where Kohan, the youngest of three, fought for attention among comedy giants — her father, Buz, a king of variety shows; her brother David, a creator of Will & Grace. As she entered her teens, she was the quirky misfit in a privileged Beverly Hills community. And later, when she joined the family business and wrote more than a dozen pilot scripts that never aired, she fought for recognition in a network system where she lacked both the commercial sense and the capacity — or desire — to be politic.
But as she sits on this day in her spacious office in the heart of Hollywood, news of Orange is the New Black’s 12 Emmy nominations — the biggest haul of any comedy contender — still fresh, it’s not hard to see that she finally has attained the respect and acclamation she has spent her lifetime chasing. And in the evolving landscape of premium television, where a Netflix dramedy can live as far out on the edge as her imagination does, Kohan has become the establishment.”
Anytime I can share a profile of a strong, fabulous, trailblazing, not to mention rainbow-haired woman, I will. Also, I find insider Hollywood stories irresistible.